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Swarovski Optik AX Visio 10x32 smart binocular review

Can a claim to be the world’s first artificial intelligence-enabled smart binocular justify the premium being charged for the Swarovski Optix AX Visio 10x32 over a fully analog alternative?

Swarovski AX Visio 10x32 in the hand
(Image credit: Gavin Stoker)
Live Science Verdict

We love the class-leading, razor-sharp optics of the Swarovski Optik AX Visio 10x32. Its performance makes it a top contender for anyone on the lookout for a premium binocular of sufficiently high quality to allow for the identification of fine detail from afar. Perfect for wildlife watching as well as lunar observation, while its analog features are top-notch, it’s the digital extras that push up the price. Requiring a period of familiarization, these not only provide the ability to name unfamiliar birds and animals with a button press but also indicate the shape of things to come.

Reasons to buy
  • +

    Excellent visibility due to high-quality optical construction

  • +

    AI-enhanced in-eyepiece identification of animals and wildlife is a fun extra

  • +

    Rubberized surface makes for steady handheld observation

Reasons to avoid
  • -

    Over 1 kg in weight before battery added

  • -

    AI features and smartphone pairing require patience

  • -

    Eye-wateringly expensive

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In return for an ultra-sharp, extra-clear binocular able to identify fine detail and subtle colour tones on wildlife when viewed from afar, delivering images with an almost three-dimensional intensity, we’d expect to pay top dollar. Add to this a bunch of artificial intelligence-enabled features that name the animal we’re observing, and it’s no surprise that the cost skyrockets.

Make no mistake, in claiming to be the world’s first AI-enhanced smart binocular, the Swarovski Optik AX Visio 10x32 is at the luxury end of what’s available. It suggests itself as not just an excellent viewing tool, but a potential educator as well. Fortunately for anyone tempted to invest, with regular software updates promised, it comes with a degree of futureproofing built in.

Gavin has over 30 year experience of writing about photography and television. He is currently the editor of British Photographic Industry News, and previously served as editor of Which Digital Camera and deputy editor of Total Digital Photography. 


He has also written for a wide range of publications including T3, BBC Focus, Empire, NME, Radio Times, MacWorld, Computer Active, What Digital Camera and Rough Guide books.


He also writes on a number of specialist subjects including binoculars and monoculars, spotting scopes, microscopes, trail cameras, action cameras, body cameras, filters, cameras straps and more. 

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