The Parthenon Sculptures, also called the Elgin Marbles, were crafted by ancient Greeks 2,500 years ago to decorate the outside of the Parthenon temple in Athens. Now housed at the British Museum in London, they, like many old sculptures, are a muted mix of white, gray and beige.
But a new study reveals that the famous sculptures' hues weren't always so drab — in fact, they were once painted with vibrantly colored and intricate patterns.
Bright Egyptian blues, whites and purples once covered the statues depicting deities and mythical creatures guarding the fifth-century-B.C. temple. The colors were used to represent the water that some figures rose from, the snakeskin of a mysterious sea serpent, the empty space and air in the background behind the statues, and figurative patterns on the robes of the gods, the researchers wrote in the study, which was published Wednesday (Oct. 11) in the journal Antiquity.
"The Parthenon sculptures at the British Museum are considered one of the pinnacles of ancient art and have been studied for centuries now by a variety of scholars," study lead author Giovanni Verri, a conservation scientist at the Art Institute of Chicago, said in a statement. "Despite this, no traces of colour have ever been found and little is known about how they were carved."
As paint often doesn't last long on marble and the sculptures' surfaces weren't prepared to enable adhesion from substances like paint, archaeologists long assumed that ancient Greek artists intentionally left the statues white. This even led historical restorations to remove past traces of paint found on the sculptures, the researchers said.
To investigate the statues' past, archaeologists used luminescent imaging, a technique that causes trace chemical elements from hidden paint on the sculptures' surfaces to glow. The team quickly discovered hidden patterns emerging on the statues' surfaces, revealing floral designs and smudged figurative depictions.
Four pigments were primarily found: a blue that was first created by the Egyptians and was the main color used by ancient Greeks and Romans, a purple tint made according to an unknown recipe (most purple was made with shellfish from the ancient Mediterranean, but this one wasn't), and two whites likely derived from the mineral gypsum and bone white, a pigment made from bone ash.
It's likely that these colors were "as visually important as the carving," the researchers wrote in the study, as "it was what the viewer saw."
"The elegant and elaborate garments were possibly intended to represent the power and might of the Olympian gods, as well as the wealth and reach of Athens and the Athenians, who commissioned the temple," Verri said. The researchers found traces of paint on the backs of the sculptures, meaning they were "certainly contemporary to the building" and likely were painted first and then placed on the temple.
The 17 sculptures, once part of a 525-foot-long (160 meters) marble frieze depicting classical Greek myths, were brought to the U.K. in the 19th century after being ripped from the walls of the Parthenon by Thomas Bruce, the seventh Earl of Elgin and Britain's ambassador to the Ottoman Empire. His involvement initially gave the sculptures their "Elgin Marbles" nickname.
Bruce sold the statues, which constituted roughly half of the surviving sculptures, to the British government in 1816. Now kept in the British Museum, the sculptures have been the subject of a formal repatriation controversy between the U.K. and Greece since 1983.
As the marbles are primarily fragments, the story they tell isn't completely clear. But they include sculptures of gods reacting to the birth of Athena, who is said to have burst from Zeus' swollen head after a mighty blow from the axe of Hephaestus, the Greek god of blacksmiths.
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Ben Turner is a U.K. based staff writer at Live Science. He covers physics and astronomy, among other topics like tech and climate change. He graduated from University College London with a degree in particle physics before training as a journalist. When he's not writing, Ben enjoys reading literature, playing the guitar and embarrassing himself with chess.
The Ancient Egyptians used color on all their structures except the pyramids themselves. But, every temple and man sized statue was painted. The constant sandblasting from the winds got rid of the color & so does rain(when it does rain it is a downpour) Rare is a surface that does not suffer from one natural event (sun bleaching, sandblasting, & rain. Consider too where the color comes from...it is colored earth (blue is from copper oxide, red is from berries, or another ground up mineral rock mixed with water and oils to make paint; purple is either from berries or combining red & blue together? so still waterbased. White is from limestone. Green can be from the juice of green plants.(still water based)..or it could be oil based as the oil comes from the "fat" of slaughtered animals. (They had lots of time to experiment) They also had a full palate of colors. Where the elements do not shine(or blast or drip) on them is the original colors.Reply
. So the early Greeks & Romans would have seen it and as they were the "later" dominant Empires - they definitely would have "painted" their sculptured stuff too.
.So did Babylon. Assyrian civilization was just into the stone carving. Same goes for Ancient Sumeria.
. The Persians did color their surroundings. As can be seen by their rugs.
. The fact you can't see the colors "does not mean they never existed"
Your equipment is not sensitive enough to TEST yet.
. Many years have gone by, and the Victorian Era was a destructive time as the statues of the ancient were anatomically correct which meant the men had erect penises....the Victorian explorers broke those off as to the ancients NOTHING was PORNOGRAPHIC. It was as the MAN stood.
. I have been using Y.T. a long time(Win98 era) & have noted that Y.T. also deletes that part of the full image.("Victorian Era" mentality)
Women had breasts.(even in those days) a shocker!
. The sculptures were correct. Nudity was not an "evil thing". It never was. That is Victorian Age mentality.