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Jaw-dropping Milky Way mosaic took 12 years to create. Here's why.

The Milky Way mosaic is shown here mapped colors from the light emitted by an ionized elements, hydrogen = green, sulfur = red and oxygen = blue. The apparent size of the moon is shown in the lower left corner.  (Image credit: J-P Metsavainio)

An eye-popping new image of the Milky Way took 12 years and 1,250 hours of photographic exposure to create.

The photo mosaic is the work of J-P Metsavainio, a Finnish photographer who specializes in astronomical imagery. Metsavainio shared his work on his blog, Astro Anarchy Observatory. The mosaic is 100,000 pixels wide, stitched together from 234 individual mosaic panels that cover 125 degrees by 22 degrees of the night sky.

When Metsavainio started the photographic process more than a decade ago, he knew he wanted to make a full Milky Way mosaic, he told Live Science. But each shot that makes up the mosaic was its own piece of art, he said.

"At the same time, I always kept in my mind the needs of the final large composition," he said. 

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Metsavainio takes his photos from Finland. He began the project with a Meade LX200 GPS 12-inch telescope and a Canon EF 200-millimeter lens, later upgrading to a customized setup he calls "the Frankenstein monster," made of an Apogee Alta U16 camera and a Tokina AT-x 300-millimeter lens. He then blended the high-resolution images into a mosaic, using Photoshop. This is a complex process, he said, because the images are a mix of highly detailed long-focal-length frames (which magnify distant objects) and lower resolution short-focal-length frames (which provide a wider angle of view but less magnification).

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Here's a look at the orientation of the Milky Way mosaic.

Here's a look at the orientation of the Milky Way mosaic. (Image credit: J-P Metsavainio)
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This image of the Milky Way mosaic shows 234 panels and covers 125 x 22 degrees of the sky.

This image of the Milky Way mosaic shows 234 panels and covers 125 x 22 degrees of the sky. (Image credit: J-P Metsavainio)
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The supernova remnant G65.3+5.7.

The supernova remnant G65.3+5.7. (Image credit: J-P Metsavainio)
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The Milky Way mosaic is shown here mapped colors from the light emitted by an ionized elements, hydrogen = green, sulfur = red and oxygen = blue. NOTE, the apparent size of the moon in a lower left corner.

The Milky Way mosaic is shown here mapped colors from the light emitted by an ionized elements, hydrogen = green, sulfur = red and oxygen = blue. NOTE, the apparent size of the moon in a lower left corner. (Image credit: J-P Metsavainio)

By painstakingly merging these frames together, though, Metsavainio can create a mosaic that is both broad, covering the Milky Way as it looks stretched across the sky, and detailed. His favorite features, he said, are the extremely dim supernova remnants that his cameras managed to pick up. These leftovers from exploded stars can be photographed only by extremely long exposures, in which the camera lens is left open for hours at a time to allow enough light to shine through from the objects. One remnant, the Cygnus Shell, required 100 hours of exposure to photograph, Metsavainio said. Another, called G65.3+5.7, required 60 hours of exposure. These supernova remnants appear as light blue rings or bubbles amid brighter orange and yellow stars.

The supernova remnant G65.3+5.7. (Image credit: J-P Metsavainio)

The mosaic also contains images of nebulas, black holes and streams of gas. There are around 20 million stars in the mosaic, according to Metsavainio. The colors come from ionized, or charged, elements, with hydrogen represented in green, sulfur in red and oxygen in blue. Placed against the night sky, the mosaic would seem to stretch from the constellation Taurus through Perseus, Cassiopeia, Lacerta and Cygnus.

Next, Metsavainio plans to take more long-focal-length, highly magnified images of the night sky, using his Milky Way mosaic as a map for new compositions.

"As a visual artist," he said, "I like to give people a visual experience, even if they have no idea what they are looking at." 

Originally published on Live Science.