The 'Infinity Room': One of Many Ways to Imagine Infinity

The "Infinity Environment," an installation art piece by Doug Wheeler on display at the Doug Zwirner Gallery in New York City. Credit: Tim Nighswander/IMAGING4ART, courtesy of David Zwirner, New York (c) 2012 Doug Wheeler
The "Infinity Environment," an installation art piece by Doug Wheeler on display at the Doug Zwirner Gallery in New York City.
(Image credit: Tim Nighswander/IMAGING4ART, courtesy of David Zwirner, New York (c) 2012 Doug Wheeler)

As I stepped into the Infinity Environment on Wednesday morning (Feb. 1), I heard faint gasps from those around me. With apprehension, we entered a stark white, brilliantly lit room with no edges. The curved walls and angled lighting minimized shadows, giving the illusion that we were staring into a continuum. With no visual reference points anywhere in the room, my eyes flickered about, desperate for something to focus on; it was impossible to tell how far space extended, if at all. In seeming infinite, space ceased to exist beyond my eyelashes and nose.

"There is no other time in your life when you will look out and see nothing at all," one young woman, an art student, whispered.

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Natalie Wolchover

Natalie Wolchover was a staff writer for Live Science from 2010 to 2012 and is currently a senior physics writer and editor for Quanta Magazine. She holds a bachelor's degree in physics from Tufts University and has studied physics at the University of California, Berkeley. Along with the staff of Quanta, Wolchover won the 2022 Pulitzer Prize for explanatory writing for her work on the building of the James Webb Space Telescope. Her work has also appeared in the The Best American Science and Nature Writing and The Best Writing on Mathematics, Nature, The New Yorker and Popular Science. She was the 2016 winner of the  Evert Clark/Seth Payne Award, an annual prize for young science journalists, as well as the winner of the 2017 Science Communication Award for the American Institute of Physics.